Akikonomu

Date: 1989
 * [[image:http://ids.si.edu/ids/deliveryService?id=http://americanart.si.edu/images/2005/2005.31.2_1a.jpg&max=460 width="268" height="350" link="@http://www.americanart.si.edu/collections/search/artwork/?id=75161"]] || Title: **Akikonomu, from the "Ichiboku Series"**

Artist: **Mark Lindquist** Born: Oakland, California 1949

Medium: cherry and polychrome Dimensions: 73 1/2 x 22 in. (186.7 x 55.9 cm) Smithsonian American Art Museum Gift of Jane and Arthur Mason in honor of Michael Monroe

Accession: 2005.31.2 || In the early 1970s, Mark Lindquist and his father, Melvin Lindquist, popularized the use of "spalted" (partially decomposed) wood that is characterized by intricate patterns of brown and black lines. Mark was also instrumental in the introduction of the aesthetics of Oriental ceramics into contemporary wood-turning. Through his essays and book, //Sculpting Wood: Contemporary Tools and Techniques//, Lindquist shared his philosophy and innovative turning methods, inspiring students to take advantage of the natural aesthetics of wood, rather than striving for the perfection of form and highly polished finishes of traditional lathe-turned bowls.
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Around the time of his exhibition at the Renwick Gallery of the Smithsonian American Art Museum, Lindquist said of his large sculptures, "In my recent sculpture series, I emulate the process and philosophy of ninth-century Japanese Buddhist sculptors. I placed these ideas in a twentieth-century context by utilizing, in addition to primitive techniques, the most advanced woodworking technology available."

Artist Biography SAAM Collections Page
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