Plover

Date: 2004
 * [[image:http://ids.si.edu/ids/deliveryService?id=http://americanart.si.edu/images/2007/2007.15.2_1a.jpg&max=460 width="316" height="246" link="@http://americanart.si.edu/collections/search/artwork/?id=76498"]] || Title: **Plover**

Artist: **Mary Merkel-Hess** Born: Waterloo, Iowa 1949

Medium: paper, paper cord and acrylic coating Dimensions: 26 x 32 x 30 in. (66.0 x 81.3 x 76.2 cm) Smithsonian American Art Museum Gift of Mary and Stephen Merkel-Hess in honor of Jane Milosch

Accession: 2007.15.2 || I make baskets using a technique that I developed, a combination of three-dimensional collage and papier mache. The vessels are made over molds. Small pieces of paper are applied with glue to the mold and allowed to dry, thus creating a paper form that is removed from its mold and further manipulated. Over the years, I have discovered many variations of this technique. I have used thin and thick papers, varied the shapes, and included paper cord, reed, or fiber in the body of the vessels. I have made interior forms for the baskets and then covered them with a "skin" of transparent paper.
 * Artist's Statement: **

I make vessels because I am fascinated with form and structure. I look for inspiration in the natural world, and then allow technique to mesh with these visual ideas to create something new. I enjoy all aspects of this process: the appreciation of the world around me that suggests ideas and the search for a method of construction that allows my ideas to take shape.

Fiber artist Mary Merkel-Hess was born in 1949 and grew up in Evansdale and Gilbertville, Iowa. She has one younger sibling. She received her B.A. in philosophy (1971) from Marquette University, Milwaukee, Wisconsin, and her B.F.A. (1976) from University of Wisconsin-Milwaukee. She earned her M.F.A. in metalsmithing from the University of Iowa, Iowa City, in 1983. She is married and has two children.Her sculptural basket-like forms, which she refers to as "landscape reports," are inspired by Iowa's natural surroundings, where the landscape is dominated by billowing fields of grass and corn. Using reeds and paper, her work conjures images of slender grasses and cultivated fields, shaped and tamed like Iowa's gridded landscape. Her continual use of the basket form is another symbolic reference to nature and life as it carries and stores the earth's bounty.
 * Biographical Information: **

[|Artist Biography] SAAM Collections Page
 * Links: **