Maquette+for+Bien+Venida+y+Vaya+Con+Dios

Date: 1985
 * [[image:http://ids.si.edu/ids/deliveryService?id=http://americanart.si.edu/images/1990/1990.69A-B_1a.jpg&max=460 width="346" height="401" link="@http://americanart.si.edu/collections/search/artwork/?id=31950"]] || Title: **Maquette for Bien Venida y Vaya Con Dios**

Artist: **Maria Alquilar** Born: New York, New York 1938

Medium: ceramic, copper foil, wire, paint and plastic Dimensions: overall: 29 x 18 3/8 x 13 3/8 in. (73.7 x 46.7 x 34.0 cm.) top: 23 x 16 1/4 x 9 1/8 in. (58.4 x 41.3 x 23.2 cm.) bottom: 12 3/4 x 18 3/8 x 13 3/8 in. (32.4 x 46.7 x 34.0 cm.) Smithsonian American Art Museum Transfer from the General Services Administration, Art-in-Architecture Program

Acceesion: 1990.69A-B || //Bien Venida y Vaya Con Dios//, which translates as "Welcome and Go With God," was commissioned by the General Services Administration for the border station in San Luis, Arizona. Maria Alquilar created this sculpture to pay tribute to the resilient spirit of the Mexican people, who overcome adversity "[to] hope and work and live." The saguaro (cactus), which offers its water and flesh to those stranded in the desert, becomes an altar for Our Lady of Guadalupe. The baby she holds is a symbol of all Mexican children whose parents come to the United States in order to survive, while the cross stands among the rocks in memory of those who died in the attempt. The rattlesnake and spider monkey are native creatures of the Southwest, but the snake also stands for the temptation to leave one's home, as Adam and Eve left Eden, for "a more sophisticated hell than that which they have left." The coyote refers to the immigrant smugglers, or "coyotes," who take the immigrants' money and often leave them to die in the desert.
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