i+am+no+one

Date: 2006
 * [[image:http://ids.si.edu/ids/deliveryService?id=http://americanart.si.edu/images/2007/2007.29_3a.jpg&max=460 width="315" height="363" link="@http://americanart.si.edu/collections/search/artwork/?id=76238"]] || Title: **i am no one**

Artist: **Beth Cavener Stichter** Born: Pasadena, California 1972

Medium: stoneware and clay slip Dimensions: 32 x 37 x 34 in. (81.3 x 94.0 x 86.4 cm) Smithsonian American Art Museum Museum purchase through the Howard Kottler Endowment for Ceramic Art

Accession: 2007.29 || There are primitive animal instincts lurking in our own depths, waiting for the chance to slide past a conscious moment. The sculptures I create focus on human psychology, stripped of context and rationalization, and articulated through animal and human forms. On the surface, these figures are simply feral and domestic individuals suspended in a moment of tension. Beneath the surface they embody the impacts of aggression, territorial desires, isolation, and pack mentality.
 * About the Artwork (official text): **

Both human and animal interactions show patterns of intricate, subliminal gestures that betray intent and motivation. The things we leave unsaid are far more important than the words we speak out-loud to one another. I have learned to read meaning in the subtler signs; a look, the way one holds one's hands, the tightening of muscles in the shoulders, the incline of the head, the rhythm of a walk, and the slightest unconscious gestures. I rely on animal body language in my work as a metaphor for these underlying patterns, transforming the animal subjects into human psychological portraits.

"I want to pry at those uncomfortable, awkward edges between animal and human. The figures are feral and uneasy, expressing frustration for the human tendency towards cruelty and lack of understanding. Entangled in their own internal and external struggles, the figures are engaged with the subjects of fear, apathy, violence and powerlessness."

Portrait of human as animal. Human psychology in animal form. Autobiographical reference. Torso in human scale. Wounded, cowering hare covered with Miso Red house paint. Life is reaction to ever-present fear. What horror does it see? Non-traditional techniques – sculpts with solid clay around steel armature, dissects into smaller parts, removes armature and hollows out interiors. Laborious, meditative process. After fired, rejoins parts and uses slip on seams. - [Source: Notes from Curator-led Walk-Throughs in the Gallery and various Catalogs]
 * Additional Information: **

“Something conscious and knowing is captured in their gestures and expressions. An invitation and a rebuke.” – March 2003
 * Artist's Statement: **

Artist Biography SAAM Collections Page Beth Cavener Stichter Wiki Entry
 * Links: **